Singing in Unison

It’s the year-end so it’s time to reflect and also to look forward, carrying what we’ve learned in the past into an uncertain future.

Let me share one thing I’ve learned; we have to get serious about how we create community. And by community, I will use a very specific definition. In fact, perhaps it would be more accurate to replace “community” with “choir.”

Let me explain my thought with a story.

In the late1980’s, Harvard professor Bob Putnam was in Italy doing research. He was studying Italy’s regional decentralization of power which began in 1970. For a political scientist like Putnam, this was an opportunity that didn’t come often. Italy had passed power down to its 20 regional governments and had also established a single framework for administration and governance. This framework was the constant. The variables were the people, the societal environment and the nature of the regions themselves. If anyone is familiar with Italy, you know that there are vast differences between these regions, especially from the north to the south.

For Bob Putnam, he looked at how effective each administrative government was – was democracy working in the region? Even though the administrators were all referring to the same playbook, the results were all over the map – literally. Generally speaking, governance in Northern and Central Italy was much more effective than in the South.

For Putnam, the next big question was – why? What was it about some regions that made democracy work better than in others. He looked for correlations in the reams of data he had collected. Was it education? Wealth? Occupational breakdowns? In examining each factor, he found some correlation, but they all came short of the perfect positive relationship he was looking for.

Finally, he took a break from the analysis and drove into the country with his wife, Rosemary.  Stopping in one town, he heard music coming from a small church, so the two stepped inside. There, a volunteer choir was singing.  It may sound cliché, but in that moment, Bob Putnam had an epiphany. Perhaps the answer lay in people coming together, engaging in civic activities and creating what is called “social capital” by working together as a group.

Maybe democracy works best in places where people actually want to sing together.

Bob Putnam relooked at the numbers and, sure enough, there was almost a perfect correlation. The regions that had the most clubs, civic groups, social organizations and – yes – choral societies also had the highest degree of democratic effectiveness. This set Putnam on a path that would lead to the publishing of this work in 1993 under the title of Making Democracy Work along with his subsequent 2000 best seller, Bowling Alone. (If you’d like to know more about Bob Putnam, check out the excellent Netflix documentary, Join or Die).

Putnam showed it’s better to belong – but that only explains part of the appeal of a choir. There has to be something special about singing together.

Singing as a group is one of those cultural universals; people do it everywhere in the world. And we’ve been doing it for ever, since before we started recording our history. Modern science has now started to discover why. Singing as a group causes the brain to release oxytocin – christened the “moral” molecule by neuro-economist Paul J. Zak – by the bucketload. Zak explains the impact of this chemical, “When oxytocin is raised, people are more generous, they’re more compassionate and, in particular, they’re empathetic – they connect better to people emotionally.”

The results of an oxytocin high are the creation of the building blocks of trust and social capital. People who sing together treat each other better. Our brains start something tuning into other brains through something called neural synchrony. We connect with other people in a profoundly and beautifully irrational way that burrows down through our consciousness to a deeply primal level.

But there is also something else going on here that, while not unique to singing together, finds a perfect home in your typical community choir.

Sociologist Émile Durkheim found that groups that do the same thing at the same time experience something called “collective effervescence.” This is the feeling of being “carried away” and being part of a whole that is greater than the sum of its parts. You find it in religious ceremonies, football stadiums, rock concerts and – yes – you’ll find it in choirs.

So, if singing together is so wonderful, why are we doing it less and less? When was the last time you sang – really sang, not just moved your lips – with others? For myself, it’s beyond the limits of my own memory. Maybe it was when I was still a kid. And I suspect the reason I haven’t sang out loud since is because someone, somewhere along the line, told me I can’t sing.

But that’s not the point. Singing shouldn’t be competitive. It should be spiritual. We shouldn’t judge ourselves against singers we see on media. This never used to be the case.  It’s just one more example of how we can never be good enough – at anything – if we use media for our mirror.

So, in 2026, I’m going to try singing more. Care to join me?

When Did the Future Become So Scary?

The TWA hotel at JFK airport in New York gives one an acute case of temporal dissonance. It’s a step backwards in time to the “Golden Age of Travel” – the 1960s. But even though you’re transported back 60 years, it seems like you’re looking into the future. The original space – the TWA Flight Center – was designed in 1962 by Eero Saarinen. This was a time when America was in love with the idea of the future. Science and technology were going to be our saving grace. The future was going to be a utopian place filled with flying jet cars, benign robots and gleaming, sexy white curves everywhere.  The TWA Flight Center was dedicated to that future.

It was part of our love affair with science and technology during the 60s. Corporate America was falling over itself to bring the space-age fueled future to life as soon as possible. Disney first envisioned the community of tomorrow that would become Epcot. Global Expos had pavilions dedicated to what the future would bring. There were four World Fairs over 12 years, from 1958 to 1970, each celebrating a bright, shiny white future. There wouldn’t be another for 22 years.

This fascination with the future was mirrored in our entertainment. Star Trek (pilot in 1964, series start in 1966) invited all of us to boldly go where no man had gone before, namely a future set roughly three centuries from then.   For those of us of a younger age, the Jetsons (original series from 1963 to 64) indoctrinated an entire generation into this religion of future worship. Yes, tomorrow would be wonderful – just you wait and see!

That was then – this is now. And now is a helluva lot different.

Almost no one – especially in the entertainment industry – is envisioning the future as anything else than an apocalyptic hell hole. We’ve done an about face and are grasping desperately for the past. The future went from being utopian to dystopian, seemingly in the blink of an eye. What happened?

It’s hard to nail down exactly when we went from eagerly awaiting the future to dreading it, but it appears to be sometime during the last two decades of the 20th Century. By the time the clock ticked over to the next millennium, our love affair was over. As Chuck Palahniuk, author of the 1999 novel Invisible Monsters, quipped, “When did the future go from being a promise to a threat?”

Our dread about the future might just be a fear of change. As the future we imagined in the 1960’s started playing out in real time, perhaps we realized our vision was a little too simplistic. The future came with unintended consequences, including massive societal shifts. It’s like we collectively told ourselves, “Once burned, twice shy.” Maybe it was the uncertainty of the future that scared the bejeezus out of us.

But it could also be how we got our information about the impact of science and technology on our lives. I don’t think it’s a coincidence that our fear of the future coincided with the decline of journalism. Sensationalism and endless punditry replaced real reporting just about the time we started this about face. When negative things happened, they were amplified. Fear was the natural result. We felt out of control and we keep telling ourselves that things never used to be this way.  

The sum total of all this was the spread of a recognized psychological affliction called Anticipatory Anxiety – the certainty that the future is going to bring bad things down upon us. This went from being a localized phenomenon (“my job interview tomorrow is not going to go well”) to a widespread angst (“the world is going to hell in a handbasket”). Call it Existential Anticipatory Anxiety.

Futurists are – by nature – optimists. They believe things well be better tomorrow than they are today. In the Sixties, we all leaned into the future. The opposite of this is something called Rosy Retrospection, and it often comes bundled with Anticipatory Anxiety. It is a known cognitive bias that comes with a selective memory of the past, tossing out the bad and keeping only the good parts of yesterday. It makes us yearn to return to the past, when everything was better.

That’s where we are today. It explains the worldwide swing to the right. MAGA is really a 4-letter encapsulation of Rosy Retrospection – Make America Great Again! Whether you believe that or not, it’s a message that is very much in sync with our current feelings about the future and the past.

As writer and right-leaning political commentator William F. Buckley said, “A conservative is someone who stands athwart history, yelling Stop!”

Grandparenting in a Wired World

You might have missed it, but last Sunday was Grandparents Day. And the world has a lot of grandparents. In fact, according to an article in The Economist (subscription required), at no time in history has the ratio of grandparents to grandchildren been higher.

The boom in Boomer and Gen X grandparents was statistically predictable. Sine 1960, global life expectancy has jumped from 51 years to 72 years. At the same time, the number of children a woman can expect to have in her lifetime has been halved, from 5 to 2.4. Those two trendlines means that the ratio of grandparents to children under 15 has vaulted from 0.46 in 1960 to 0.8 today. According to a little research the Economist conducted, it’s estimated that there are 1.5 billion grandparents in the world.

My wife and I are two of them.

So – what does that mean to the three generations involved?

Grandparents have historically served two roles. First, they, and by they, I mean typically the grandmother, provided an extra set of hands to help with child rearing. And that makes a significant difference to the child, especially if they were born in an underdeveloped part of the world. Children in poorer nations with actively involved grandparents have a higher chance of survival. And in Sub Saharan Africa, a child living with a grandparent is more likely to go to school.

But what about in developed nations, like ours? What difference could grandparents make? That brings us to the second role of grandparents – passing on traditions and instilling a sense of history. And with the western world’s obsession with fast forwarding into the future, that could prove to be of equal significance.

Here I have to shift from looking at global samples to focussing on the people that happen to be under our roof. I can’t tell you what’s happening around the world, but I can tell you what’s happening in our house.

First of all, when it comes to interacting with a grandchild, gender specific roles are not as tightly bound in my generation as it was in previous generations.  My wife and I pretty much split the grandparenting duties down the middle. It’s a coin toss as to who changes the diaper. That would be unheard of in my parents’ generation. Grandpa seldom pulled a diaper patrol shift.

Kids learn gender roles by looking at not just their parents but also their grandparents. The fact that it’s not solely the grandmother that provides nurturing, love and sustenance is a move in the right direction.

But for me, the biggest role of being “Papa” is to try to put today’s wired world in context. It’s something we talk about with our children and their partners. Just last weekend my son-in-law referred to how they think about screen time with my 2-year-old grandson: Heads up vs Heads down.  Heads up is when we share screen time with the grandchild, cuddling on the couch while we watch something on a shared screen. We’re there to comfort if something is a little too scary, or laugh with them if something is funny. As the child gets older, we can talk about the themes and concepts that come up. Heads up screen time is sharing time – and it’s one of my favorite things about being a “Papa”.

Heads down screen time is when the child is watching something on a tablet or phone by themselves, with no one sitting next to them. As they get older, this type of screen time becomes the norm and instead of a parent or grandparent hitting the play button to keep them occupied, they start finding their own diversions.  When we talk about the potential damage too much screentime can do, I suspect a lot of that comes from “heads down” screentime. Grandparents can play a big role in promoting a healthier approach to the many screens in our lives.

As mentioned, grandparents are a child’s most accessible link to their own history. And it’s not just grandparents. Increasingly, great grandparents are also a part of childhood. This was certainly not the case when I was young. I was at least a few decades removed from knowing any of my great grandparents.

This increasingly common connection gives yet another generational perspective. And it’s a perspective that is important. Sometimes, trying to bridge the gap across four generations is just too much for a young mind to comprehend. Grandparents can act as intergenerational interpreters – a bridge between the world of our parents and that of our grandchildren.

In my case, my mother and father-in-law were immigrants from Calabria in Southern Italy. Their childhood reality was set in World War Two. Their history spans experiences that would be hard for a child today to comprehend – the constant worry of food scarcity, having to leave their own grandparents (and often parents) behind to emigrate, struggling to cope in a foreign land far away from their family and friends.  I believe that the memories of these experiences cannot be forgotten. It is important to pass them on, because history is important. One of my favorite recent movie quotes was in “The Holdovers” and came from Paul Giamatti (who also had grandparents who came from Southern Italy):

“Before you dismiss something as boring or irrelevant, remember, if you truly want to understand the present or yourself, you must begin in the past. You see, history is not simply the study of the past. It is an explanation of the present.”

Grandparents can be the ones that connect the dots between past, present and future. It’s a big job – an important job. Thank heavens there are a lot of us to do it.