10 Things I Learned from Disney – #6: The Power of Stories

disneyfiguressmIn the Disney Theme Parks, two of Walt’s great loves are on open display. The first comes from Walt’s inherent gift for storytelling. Most Disney rides are more than just a jolt of adrenaline. The thrills are seamlessly integrated into a story. Whether it’s Pirates of the Caribbean, Splash Mountain, The Tower of Terror or Indiana Jones, there is a distinct storyline to each ride, with a beginning, a middle and an end. Walt was, at his core, a natural born story teller.

Walt’s other love was his fascination with technology. Walt believed that technology was the hope for a brighter future and he had a childlike fascination for it.

With Disneyland, and with the later Disney parks, Walt’s dream was to bring his two loves together. He wanted to create an environment where great stories could come to life, allowing us to immerse ourselves in them. And, with technology, he wanted to provide a showcase for it’s promise and potential. Technology played a vital role in bringing the Disney stories to life, through innovations like animatronics and sophisticated special effects. But it was Tomorrowland and, later, Epcot, that Walt envisioned as the true shrine to the wonders of technology. And in these two examples lies a cautionary tale for us to heed.

The Power of a Story

As I said in an earlier post, humans are wired to love stories. If you have to get details to stick, the best way is to put them into a story. The human brain seems to respond naturally to the structure of a story, perhaps because stories are time tested distillations of how we see the world and what we find interesting about it. Stories are possibly the most highly evolved of all human communication forms, next to  grunts of warning or delight. Stories have lifted us to new heights, with the power of narrative being a constant through all our art forms, across all cultures. There is no society or tribe on earth that does not tell stories. And if you look at Disney’s best loved rides, you’ll find the ones that stay truest to the ideal of telling a story are the ones that stand the test of time.

But technology has not fared as well in the Disney Parks. Of all the lands in Disneyland, Tomorrowland has been the one that has required the greatest number of overhauls. What was once wonderful quickly becomes woefully dated. The challenge with technology is that it never stands still. You have to constantly re-imagine the future, because we relentlessly chase it. If you take technology and showcase it, you also freeze it in time, which soon passes it by. Even Epcot (originally standing for Experimental Prototype Community of Tomorrow) hasn’t managed to stay ahead of today. It’s no longer a glimpse of the future, but rather a quaint testimonial to what the future might have been.

Technology Fades, but Stories Live On

So, in the world of Disney, the power of stories has stayed as fresh and powerful as the day they were first told. But the lure of technology has rapidly faded, necessitating constant overhauls and retrofits. The lesson I’ve learned from that? Technology in itself is not an end goal, but rather the means to an end. Technology for humans started when we first realized that materials from our environment could be re-purposed to give us an advantage. The stone axe, the spear or the bow and arrow had no inherent magic. Their value lay in the things they let us do. Technology in and of itself is a empty promise, it only takes on meaning when it allows us to do something we couldn’t do yesterday. And that’s why we drive technology forward, pushing our advantage through the tools we adopt. Technology is a factor in the equation of human productivity, but it’s the result of the equation that matters.

Stories, however, speak to the heart of the human condition. They resonate with a different part of our brain. Technology gives us tools. Stories give us our soul. In looking at which of Walt’s two great loves eventually emerged triumphant in the hearts and minds of guests, it’s clear that stories strike closer to home. And in that is a very timely lesson for us. We have become infatuated with technology, but we should remember that it’s how we apply that technology to do very human things that matters. And it’s those things that will eventually make their way into our stories.

10 Things I Learned from Disney – #5: The Importance of Simultaneous Satisfaction

If you set out to entertain families, you have an inherent challenge in front of you. Successful family entertainment has to appeal not just to one one person, but a group of distinct individuals. In the average family, you have several demographic and psychographic divides to bridge: males and females, age groups ranging from grandpas and grandmas (or great grandpas and great grandmas) to newborns, different education levels, different areas of interest, different levels of patience, different tastes in humor, different thresholds for motion sickness. The question, if you set out to keep a family happy, is how do you possibly keep everyone happy at the same time?

Everybody Laughs..Just at Different Jokes

Walt knew this. It was the challenge that led to the birth of Disneyland. Keeping both adults and children happy in a film or TV show is relatively simple. Early on, producers of successful family entertainment, including Disney, Warner Brothers and Hanna Barbera learned the importance of a multi-level story line. At one level, popular cartoons would entertain children with colors, actions, pratfalls and simple humor. But writers also weaved references into the storyline that would be picked up on by adult viewers. These included pop culture references, double entendres and more sophisticated verbal gags. The device worked well, endearing Fred Flintstone, Bugs Bunny and Donald Duck not just to one generation at a time, but several. The fact that TV and film offered not just video but also an audio track allowed the creators to use the two to appeal to two audiences at once. When the kids were being entertained by the visuals, the adults could catch the more subtle references in the dialogue.

The Secret of Happy Families

But how do you maintain this multilevel appeal when you move beyond the two dimension world of TV or film to the fully immersive experience of a visit to a Disney park? Disney wanted to create an experience where both parents and children could be entertained simultaneously. First of all, the parks had to be immaculate. While children may be more tolerant of a little dirt and crease, nothing makes a parent’s stomach turn faster than the unsavory environment of the typical amusement park. Visions of weird infections, salmonella and just genera ickyness leap immediately to mind. If parent’s were to relax in a Disney amusement park, Walk knew it had to be spotless.

In the last post, I also talked about attention to detail. This becomes more important to the experience as you get older. Your appreciate the care that has gone into the engineering of your experience. It provides a sense of value for your admission price. Kids are plugged more viscerally into the thrill, the excitement and the magic of Disney. They suspend belief easier. We adults tend to be more skeptical, which makes us appreciate the lengths that Disney is willing to go to to maintain the illusion.

A Restroom around Every Corner

But perhaps the biggest reason is that it seems Disney has gone to great lengths to anticipate the needs of a family. It’s uncanny how, just when you start thinking you might need something, it magically appears around the next corner. Washrooms, food booths, sit down restaurants, benches for resting, stroller drop off areas – all these seem to be seamlessly and conveniently integrated into the experience. Yes, a day at Disneyland or Disneyworld can be gruelling for even the most diehard fans, with plenty of highs and lows, but it seems that just when frustration seems to mount to dangerous points, relief is close at hand.

I remember one summer visit during an exceptionally busy long weekend. We were heading out of the park and our nerves were frazzled. Yet, I was told we had to make one more stop on Main Street to pick up a souvenir in one of the shops. While not thrilled at the prospect (getting the hell of there was my primary goal) the day was redeemed by an exceptionally friendly Disney employee who managed to bring the smile back to our faces. And that, perhaps more than anything, is the Disney secret of simultaneous satisfaction. Rather than the bored, vacant expression that’s commonly found on staff faces at the competition (Universal is particularly notorious for this) it seems that everyone at Disneyland is genuinely happy you’re there. Disney people are awesome, but that’s actually one of the 10 Things I learned from Disney, so more on that in a future post.

We’re Only as Happy as the Group We’re In

To wrap up this post, let me touch on some reasons why simultaneous satisfaction is so important if you’re targeting customers in groups rather than as individuals. Perhaps the best way to illustrate this is with an example. Restaurants are another business that typically targets groups. Think about what happens if just one person in the group has a substandard experience. You talk about it. And suddenly, even if your experience was fine, you become dissatisfied. Our opinions about joint experiences are formed as part of the group. We defer to the decision of the majority, and typically, the consensus will sink to the level of the least satisfactory experience.

The other reason why group experiences are so important can be found in the way they’re recalled. Daniel Kahneman had an interesting presentation at the last TED conference about experiential vs remembered happiness. This is one of the little illogical quirks of humans. We make future decisions based not on how happy we were experiencing the actual event, but on how happy we remember being. This is critically important when we look at the group dynamic I just described in the restaurant. If we go to Disneyland as a group, we will also tend to remember our experiences when we’re with the same group. And, as we relive our remembered experience, our happiness level will sink to the lowest level of the group. If not everyone was happy, no one will be happy.

There’s a flip side to this as well. If we were all generally happy (the little annoyances tend to fade with time) the nostalgia effect tends to boost and sharpen the level of actual experience. We remember good things as great. I’m not sure Walt knew the psychology of simultaneous satisfaction when he insisted that Disneyland would be a place where both parents and children could all be happy at the same time, but it’s worked out pretty well for him.

10 Things I Learned from Disney – #4: Details Make the Difference

PartnersstatueThere are a lot of theme parks in Southern California. The competition for Disneyland is tough. Yet, for over 50 years now, the pattern has been the same. People plan their vacation around Disneyland, spending 3 to 5 days at the park, and may add a day at one of the other parks – Universal, Knott’s or Magic Mountain. If you looked at the size of the theme park pie and the slice that Disney carves off, the imbalance would be remarkable. Why does Disney suck up over 80 cents of every theme park dollar spent in the region?

It’s not the rides. Universal’s rides are probably more technically impressive. Magic Mountain and Knott’s certainly has more thrilling rides. Disney’s biggest coaster, California Screamin’, is a rather mild ride for a coaster fanatic (which I am).

I believe there are several reasons, and I’ll try to deal with them in individual posts. Today, I want to talk about attention to detail.

The Hotchkiss Detail Obsessive Guide to Disneyland

My family has been to Disneyland at least 6 times. People hate visiting the park with us because we have routines (others are less kind and call them rituals, or cult-like behavior) that have to be adhered to. It’s important which side of the train station you enter onto Main Street on. And you don’t rush past the circle at the top of the street. You spend a few minutes lingering and drinking in the atmosphere. You either stroll (never rush) down main street or take the horse drawn tram. You may stop at the Blue Ribbon Bakery for a coffee. You make your way to the Partners statue at the center of the park for a few minutes with Walt and Mickey and while you’re there, pay particular attention to the flowers planted around them. Take note, because they may be completely different tomorrow. From the center in front of the Castle, we then veer to the left, usually ambling through Adventureland and head towards New Orleans Square because the first ride has to be (this is non-negotiable) Pirates of the Caribbean.

Pirates is one of our favorite rides, earning it’s place as a Hotchkiss Tradition. And it’s not because it’s thrilling (it’s not) or technically amazing (although it may have been with the ride debuted in 1967). It’s because the attention to detail on this ride is simply amazing. It’s the last ride that Walt himself personally oversaw the design of. Everything has been thought through, down to the smallest scar, gold doubloon or cobweb. And that is the Disney difference. You won’t find that fanatic attention to detail in Universal, Knott’s or Magic Mountain. It’s a Disney hallmark.

It’s What You Do Between the Rides that Counts

Disney knows that in between the momentary jolts of adrenaline, it’s the details that build an experience worthy of a 3 or 4 day investment of your family’s time. Disneyland has this down in spades. Each square foot is jammed with amazing detail, carefully crafted and maintained to add to the experience. And I’m not even talking the obscure Disney-mania touches like Hidden Mickies. I’m talking about carefully planned sight lines, well placed benches, meticulously groomed greenery and the architectural detail on buildings, to say nothing of the imagination fuelling touches found in rides like Splash Mountain, Peter Pan, the Haunted Mansion and Indiana Jones. The competition cut corners. Walt absolutely forbid that in the making of Disneyland.

The post-Walt Disney Parks have struggled with this. We’ve been going to Disneyland for over 20 years now, and the overall look of the park hasn’t changed much. Toontown was added and a few new rides have debuted, but 50 years of planning and development have created an almost perfect entertainment experience. Major overhauls aren’t needed. The same can’t be said for Disney’s California Adventure. Disney is currently overhauling huge sections of the park because the same detailed magic was missing. Visitors treat California Adventure more like a typical theme park, rushing from major attraction to major attraction without lingering to enjoy the experience on the way. Of all the rides in California Adventure, the Twilight Zone Tower of Terror is one of the few engineered to the same standards of detail that you’ll find in the earlier rides. But this legacy of detail isn’t found so much in the rides, but rather the transition zones between the rides. It’s here where the acid test of detail is really found. It’s detail that keeps crowds amused while they’re waiting in line. It’s detail that keeps them from feeling like cattle, shunted from one chute to the next.

Most Skip the Details, Disney Doesn’t

So what’s the takeaway? Disney’s eye for detail came from an absolute certainty about what his visitor’s wanted and an iron-willed determination to deliver that without any compromise. Every last element of the visitor experience was considered and planned for. Every detail you see in Disneyland had a purpose – to make the visitor happy.

I think too many corporations rush past the details when it comes to the experiences of their customers. It’s because details take time. They’re hard work. You can get lost in a forest of detail. And obsessing over detail just doesn’t seem that profitable. In fact, if you get lost in the wrong details, it can be sure death for a corporation. But yet, details make the difference for Disney. Why? How does Disney avoid the trap of paying attention to the wrong details? They know which details are important because they take the time to understand what is important to their visitors. They spend a lot of time thinking about how visitors perceive and interact with those details. This is a legacy from Walt. It comes from a leader that obsesses about details.

Apple and the User Experience: A Lesson Learned

iPad-gallery-books1Another example of attention to detail is Apple. They obsess about the user experience. I recently watched someone demo their new iPad. You know what was one of the first things he showed me? How the iPad mimicked the look of turning an actual physical page in a book. Depending on where you place your finger on the page, the page itself curls up appropriately. It’s a silly little detail, but it was important in creating a Wow experience for this new owner. And it’s something that stood out to me as one reason why, eventually, I have to get an iPad. It’s a feature that probably took an absolutely silly number of hours of programming to implement but it was important to Apple because it was important to users.

Detail can differentiate you from the competition. It adds a premium to the value you provide. It tells the customer that you value them as users (or visitors), not just as another wallet to be emptied.

10 Things I Learned from Disney – #3: Leadership Matters…a Lot!

walt-and-roy-01How many companies today are run by caretakers? How many of the Fortune 500 are run by CEO’s who are really just thinly disguised accountants?

The Leader of a company determines the heart and soul of that company. If you run the company by your profit and loss statements, you’ll end up with a fiscally responsible corporation that will slowly screw itself into the ground. If you have a reckless leader, you’ll flame and burn in spectacular style. Somewhere in between the extremes is where you have to live

Walt Disney was not overly concerned by fiscal responsibility. That was Roy, his brother’s job. Walt drove the company by embracing risk. Roy lost his hair by trying to balance Walt’s enthusiasm.

Risk is the fuel that drives the future. And risk is risk. It can only be calculated up to a certain point. After that, you have to close your eyes and jump. Walt jumped again, and again, and again, each with spectacular style.

1923 – Walt moved to Hollywood from Kansas City with a short film called Alice’s Wonderland that he hoped would net him a distribution contract. The film was pretty much all Walt had. He managed to secure a contract and teetered on the edge of bankruptcy for 4 years. And just when he looked like he had a winner, in a new cartoon character called Oswald the Rabbit, the distributor stole both the rights and the animators, shutting Walt out.

1928 – After losing Oswald, Walt started from scratch with Mickey Mouse. But he only created two cartoons with the new character before deciding to risk it all with the first sound cartoon. The struggling studio dumped everything they had into the cartoon, Steamboat Willie. Luckily, Walt’s gamble paid off. Mickey was a hit.

1937 – Building on the success of Steamboat Willie, Disney turned out a series of profitable Mickey Mouse cartoons, and added the Silly Symphony series, netting himself a number of Academy Awards in the process for pushing the boundaries of animation technology and art. but Walt soon found a new dream worthy of risk – the first full length animated movie. It what was quickly becoming predictable behaviour for Walt, he risked all their profits from the animated shorts on Snow White. And, as before, it was a phenomenal success, becoming the highest grossing movie until Gone with the Wind bumped it from it’s perch.

In it’s following releases, Disney struggled with finding the right balance between budget and profitability. The war restricted access to foreign markets so profits relied on domestic audiences. Walt continued to push the envelope of what was possible with animation in Disney’s next two releases, Pinocchio and Fantasia. This came at a cost – a budget that meant these films didn’t break even until decades after their debut (thanks to eventual release on VHS and DVD). Walt continually tried to find the right balance between artistic accomplishment and profitability, eventually finding a happy middle ground with classics like Bambi, Cinderella and Mary Poppins (another technical and artistic milestone). It’s amazing to consider how quickly animation progressed, from the primitiveness of Steamboat Willie to the polished art of Show White in just 9 short years.

In the interim Walt also explored TV and live action features, finding significant success in both. Finally, it seemed, Disney had found the groove that led to sustained profitability. Almost any other leader would cling to this groove for dear life, building up the bank account and enjoying the rewards that come with success. Not Walt.

1955 – Walt got restless when he stayed in one place too long. he became bored with incremental improvement, no matter how profitable it proved to be. Walt thrived on risk and new, monumental challenges. And so, he looked for a new one. Walt was 54 years old and had been running Disney, in one form or another, for 35 years. By any measure you might want to apply, he was successful. And he risked all this, everything, on a new dream – an entertainment park. Disneyland represented Walt’s biggest roll of the dice yet, because he had everything to lose.

This restlessness and desire to push the limits epitomized the Disney company for the first 45 years of its history. Walt and the company were really one and the same. His leadership determined the soul of the company. When he died of lung cancer at the age of 66, he left a hole in the heart of Disney that took years to mend (and some might say Walt was never successfully replaced). Never let it be said that one person does not determine the direction of a huge corporation. Disney was testament to the fact that a single person’s vision and ideals can shape and guide a company for decades. This is not the job for a caretaker or bean counter. This is a job for someone who can grasp the impossible and shape the future.

10 Things I Learned from Disney – #2: Values are Non-Negotiable

Walt_young_featureWalt Disney’s values were forged in the hardscrabble reality of Kansas City, growing up in a family led by a father that never was quite able to grab success by the tail. Walt was a deeply spiritual individual who held the importance of American and Family values above all else. He spent the rest of his life pursuing an ideal – that of clean wholesome family entertainment. Walt was scrupulous about it. I suspect the adult movies that are now released through Disney’s production arm, Touchstone Films, would have earned a disapproving frown from Walt. Yet of all the major studios, Disney is still the one synonymous with family entertainment.

The normally affable Walt could quickly become contentious when his values came into debate. He drove the overall moral tone of Disney entertainment with an iron will. The door was open for technical and creative innovation, but heaven help the poor Disney employee who let their moral guard slip, even for an instant. It’s only very recently that Disney Park employees were allowed to have a beard, a mustache (ironic, considering Walt himself sported one) or sideburns. Walt felt facial hair detracted from the clean, wholesome image he wanted to maintain in his parks. And the classic Disney films each strove to be more than entertainment – they each carried a strong moral message, usually about the value of a strong family unit.

Whether or not you agreed with Walt’s highly idealistic views, you had to admire the ardor with which he defended them. Walt felt that a corporation without real values was a soulless organization without direction. And his values still live in Disney’s corporate values today:

Values Make Our Brands Stand Out

    * Innovation
          o We follow a strong tradition of innovation.

    * Quality
          o We strive to follow a high standard of excellence.
          o We maintain high-quality standards across all product categories.

    * Community
          o We create positive and inclusive ideas about families.
          o We provide entertainment experiences for all generations to share.

    * Storytelling
          o Every product tells a story.
          o Timeless and engaging stories delight and inspire.

    * Optimism
          o At The Walt Disney Company, entertainment is about hope, aspiration and positive resolutions.

    * Decency
          o We honor and respect the trust people place in us.
          o Our fun is about laughing at our experiences and ourselves.

Are they defended as strongly as they were when Walt was alive? I suspect not, yet it’s a testament to the man that for must of us, Disney and family values are synonymous.

Values are a highly personal thing. You might not subscribe to the same values that Walt did. But the fact is, values have to live at the heart of an organization. They breathe life into it and give it a purpose that’s not open to negotiation or compromise. They are the bearing points that can always be relied on. They stand above profit statements and quarterly earning reports. If they don’t, all you have is a bunch of people standing around trying to figure out the best way to make money. And there are better things in life than that.

10 Things I Learned from Disney – #1: Dreams Make a Difference

waltdisneyMy friend and fellow Search Insider columnist, Aaron Goldman, has gained a lot of mileage from one column. Sometime ago, he wrote a column entitled “Everything I Need to Know about Marketing I Learned from Google”. Since then, he’s managed to stretch that out into dozens of columns and an upcoming book. For the next few weeks, I’d like to take inspiration from Aaron and share a few things that Disney has taught me. I don’t expect to get nearly the same mileage that Aaron did (possibly because I don’t have the same attention span) but it’s certainly not because Disney is any less inspirational than Google. For me, Disney presents one of the great corporate histories of the 20th century and Walt has always been one of my personal heroes. But, I will restrict myself to 10 blog posts, one for each of the lessons that Disney has taught me about life and business success. So, let’s start with Lesson One:

Dreams Make a Difference

Walt Disney was possibly the biggest dreamer of the 20th century. Walt always had his gaze firmly focused not the future, quickly moving on from past successes. The next “thing” was always the most important “thing.”  He knew if you spent too much time patting yourself on the back, you’d have your sights focused on where you’ve been, not where you’re going.

In behavioural economics, there’s a saying, “Loss looms larger than gain.” Most of us, faced with a decision of protecting what we have vs. risking it all for a potential future gain tend to circle the wagons and protect the piggy bank. Not Walt. Walt drove his brother Roy crazy by constantly betting it all on a bigger and better dream. For much of it’s history, Disney rode a roller coaster that came frighteningly close to bankruptcy on more than one occasion.

Walt knew that dreams are the fuel that drive us forward. Dreams that focus forward can be achieved with passion and purpose. Dreams that look backward are just one step away from regret. We can do nothing about the past, but we can do something about the future.

Walt was much more than a dreamer, however. Unrealized dreams have not influence on the world beyond the holder of the dream. And that was the magic of Walt. Somehow, he was able to make dreams come true. He knew how to sell dreams, infusing them in others and thereby inspiring them. His dreams were highly contagious, spreading from him (and eventually his brother) through his company outwards to a circle of financiers and partners. Eventually, his dreams reached far enough to touch each one of us.

Disney has not dreamed quite as big or successfully since Walt’s passing, but it’s still a corporation that knows the power of a dream. It has a history of recognizing dreamers and providing the superstructure required to lift those dreams up to the heights.

In Disneyland there is a plaque that says, “It all started with a mouse.” But really, it started with a dream. Walt Disney knew how to take a dream and leverage it to move the world. Powerful stuff indeed!

Steve Ballmer and the Future of Search Revenues

First published March 4, 2010 in Mediapost’s Search Insider

Steve Ballmer is an enthusiastic guy. As he climbed on stage with Danny Sullivan at SMX West, everyone was wondering how long it would be before he cranked up the volume and slipped into his typical Ballmeresque bombastic delivery. Steve didn’t disappoint. A few minutes into the interview, with Sullivan probing about Microsoft’s aspirations around search, Ballmer was yelling “Sell, Danny, don’t yell!” (ironic in the extreme) and roughhousing with poor Danny like a good-natured football coach having a little fun with the class math geek. I half expected Steve to give Sullivan a noogie.

I suspect there will be no shortage of coverage on the keynote and the areas explored. Ballmer was careful to tone down his enthusiasm about Bing with a realistic nod to Google’s current dominance. But there was one comment in particular that I want to explore a little further today. Ballmer made all the obligatory comments about us being very early in the game a search, an observation that has become rote in search interviews. And usually, that observation refers to the user experience, the functionality or the platform from which we search.  But Ballmer purposely singled out one area that is not generally talked about when we discuss the nascence of search — the revenue model.

The Crystallization of a Revenue Model

Search as it exists today proved to be the perfect crystallization of a revenue model, a beautifully simple evolution that had all the right pieces falling into place at just the right time. It was a rare occurrence in the messy and organic online world, one that Google capitalized on to the tune of several billion dollars. But it’s unrealistic to think that this crystallization of revenue opportunity can survive for long or morph into something equally universal, simple and effective.

Here’s what happened: Search solved a fundamental human need  — the need to access information. Google did search better than anyone else. All this searching happened in a small handful of places, with Google as the dominant destination. Much of this searching was for information that came from consumer intent.  And, because consumers were searching for information, sponsored messages could be informational in tone rather than overtly promotional. Search was a “click,” the natural and simple connection of burgeoning need with marketing opportunity.

It’s Not That Simple Anymore

But here’s what’s happening now: Search is not as simple as it was. Increasingly, our search activity is splintering over more platforms and through more interface layers. Search is going “under the hood,”  powering a number of different apps for a number of different needs. This means the ubiquitous and universal intersection point for search is going away. We’re demanding more from search — more functionality, more integration, more understanding of how we intend to use the information we seek. This raising of the bar of our expectations means it will become increasingly difficult for one interface to serve all those needs.

As we start doing more online — finding the functionality we need to take us not just from point A to B, but allowing us to continue on to C, D and even Z, with digital servants assisting with, or even allowing us to completely ignore, the interim steps — search will just be another piece of that functionality. This “usefulness” explosion is very unlikely to happen in one place. It will happen in thousands or millions of places. And search will be relegated from being an online destination to an online utility.

Google, Microsoft, and any other search provider, will lose the critical revenue-producing high ground, the touch point with the consumer, at least in the form it currently exists. This will require a rapid shift in revenue models, and I suspect it’s this impending shift that Ballmer was alluding to in his keynote. There will be revenue to be made — far more revenue, in fact. But Google and Microsoft may find themselves in the position of taking a much smaller slice of a much larger pie.

The 150 Millisecond Gap: The Timing of Brand Love

A few weeks ago, I was sitting in a meeting room at Simon Fraser University, looking at two squiggly lines on a graph in a Powerpoint slide. In fact, five of us in the room were all looking at it intently. Among the five of us, there was a PhD and a handful of Masters degrees in Neurology and Psychology. I contributed nothing to this impressive collection of academic achievement. Still, there was something on the chart that fascinated me.

SI140gapimage

The chart was the result of a neuroscanning experiment we conducted with SFU and Isabel Taake and Dr. Mario Liotti last year.  We were exploring how the brain responded to brands we like, brands we don’t like and brands we could care less about. The study was an ERP (Event Related Brain Potential) study. The idea of the study was to divide up the groups, based on brands they buy and brands they don’t buy and measure their brain waves as they’re presented with pictures of the brands with an EEG scanner. After, these waves were averaged and the averages of each group were compared with each other. What we were looking for were differences between the waves. We were looking for gaps.

It turned out we found two gaps. The brain waves are measured based on time, in millisecond increments. When we initially did the study, we were looking for something called the DM effect. This effect has been shown to represent a difference in how we encode memories and how effective we are in retrieving them later. We wanted to see if well liked brands showed different levels of brain activity when it came to memory encoding than neutral or disliked brands. The answer, as it turned out, was a qualified yes. What was most interesting, however, was the difference in the brain waves we saw when people were presented pictures of  brands they love and brands they either dislike or  feel ambivalent about. There was something going on here, and it was happening in two places. The first was happening very quickly, literally in the blink of an eye. We found our first gap right around 150 milliseconds – in just over 1/10th of a second. The second gap was a little later, at about 450 milliseconds, or about half a second.

Brands = Faces?

Previous ERP work often used faces as the visual stimuli that subjects were presented with. Researchers like working with faces because the human brain is so well attuned to responding to faces. As a stimuli, they provide plenty of signal with little noise. What researchers found is that there were significant differences in how our brains processes well known faces and unknown faces. They also found differences in how we processed smiling faces and scowling faces. And the differences in processing showed up in two places, one in the 150 millisecond range and the second at about 300 – 500 milliseconds. The first gap is what neurologists call the Vertex Positive Potential. The second is called the P300. I’ll explain what each of these means in more depth in a second.

What was interesting with this study is that we were seeing the same  thing play out when we substituted familiar brands for familiar faces. Respondents were responding to brands they liked the same way they would respond to a friendly face they recognized. So, what’s the big deal about that? And why two gaps? What was the significance of the 300 milliseconds that separate the two? Well, it’s the difference between gut instinct and rational thought. What we might have been seeing, as we stared at the projector screen, was two very different parts of the brain processing the same thought, with the first setting up the second.

The Quick Loop and the Slow Loop

Neurologists, including Joseph LeDoux and Antonio Damasio, have found that as we live our lives, our brains can respond to certain people, things and situations in two different ways.

The first is the quick and dirty loop. This expressway in our brain literally rips through the ancient, more primal part of our brain – what has popularly been called the Lizard brain (neurologists and psychologists hate this term, by the way). Why? Because if we hesitate in dangerous situations, we’re dead. So, we have a hair trigger response mechanism that alerts us to danger in a blink of an eye. How quick is this response? Well, coincidentally, it’s usually measured in the 100 to 200 millisecond range. This is the VPP, the Vertex Positive Potential. It’s an emotional processing of a stimulus, an immediate assessment of threat or reward.

Previous research (Jeffreys Takumachi 1992) found that the VPP is common when we see faces but could also be found when we looked at some objects.  Some, but not all objects. What we (and by we, I mean Isabel and Dr. Liotti) did was substitute preferred and non-preferred brands for faces. And we saw the same VPP gap. Typically, this early processing is done by the amygdala (our danger detection module) and other areas of the brain including the orbitofrontal cortex.  If you look at the map of neural activity, you’ll find more frontal activity in the “Buy” group. The brain is responding emotionally to what it is seeing and it’s doing so almost instantaneously, in the blink of an eye.

Slide17

But then there’s a slower loop that feeds the signal up to our prefrontal cortex, where there’s a more deliberate processing of the signal. If the signal turns out to be non threatening, the brain damps down the alarms and returns the brain to it’s pre-alert status. Cooler heads prevail, quite literally. The time for this more circuitous path? About half a second, give or take a few milliseconds. This more deliberate evaluation represents the second gap, the P300 gap, we saw in our averaged brain waves. This is a more deliberate evaluation of the stimulus. It’s here where our reasoning brains kick in and either contradict or reinforce the early signals of the VPP gap. If it’s a smiling face, we go beyond instant recognition and start to retrieve (from memory) our concept of the person behind the face. The same is true, I suspect, for our favorite brands. The neural map here shows the difference in scalp potential activity between the “Buy” group and the “Non-Buy” group. The heat we see is the home of brand love.

Slide19

Where Brand Love Lives

In neurological research, different methods deliver different insights. The ERP methodology we used provides accurate timing, thus the discovery of the 150 and 450 ms gaps. But fMRI scanning provides accurate tracking of the exact locations of neural activity. Another study, conducted in 2004, starts to give us some clues as to exactly where brand love lives. Dr. Read Montague and a team at Baylor University staged a rather elaborate repeat of the Coke-Pepsi Challenge, but this time, people took the challenge while they were in a fMRI scanner. I’ve written before about the study if you’re interested in more detail about how they pulled it off.  Today, what I want to talk about is where in the brain brand love lives.

Coke is one of the most beloved brands in the world. It elicits strong loyalty amongst its fans, to the point where they swear it tastes much better than it’s rival – Pepsi. Well, as Montague found, if they didn’t know what they’re drinking, this isn’t really true. Even the most fervent Coke fan often choose Pepsi as their preferred drink when they didn’t know what they were drinking. But when they knew the brand they were tasting, something very interesting happened. Suddenly, other parts of the Coke fan’s brain started lighting up.

cokestudy

The hippocampus, the left parahippocampal cortex, the midbrain and the dorsolateral prefrontal cortex started lighting up. This is significant because it indicates that the brain was actually retrieving concepts and beliefs from memory (the hippocampal activity) and the retrieved concepts were being integrated into feelings of reward (the prefrontal cortical activity). The brain was enhancing the physical sensation of taste with the full strength of brand love.

So?

Perhaps we’re starting to see not only the home of brand love, but also the timing. This was why I fixated on that small gap between the squiggly lines at 150 milliseconds. It’s because this represented our immediate, visceral response to brands. Before the brain really kicks in at all, we are already passing judgement on brands. And this judgement will color everything that comes after it. It sets the stage for our subsequent brand evaluations, happening at the 450 ms gap. This is when the brain structures identified in the Baylor study start to kick in and reinforce that “blink of an eye” first impression. Brands appear to deliver a one-two punch.

We’re currently planning our follow up research for 2010. I’m not exactly sure what it will entail, but you can bet we’ll be looking much closer at those 150 and 450 ms gaps!

Everyone’s a Critic: The Splinters of our Discontent

First published January 14, 2010 in Mediapost’s Search Insider

I had a bout of inbox convergence today. Just as I was speculating what this week’s Search Insider might cover, two separate emails surrounded a juicy little topic and delivered it to me on a platter. First, a post from Ad Age about how marketers are reluctant to use online conversations as a source of customer feedback: “‘Listening’ ostensibly has become the rage in consumer research, but the Advertising Research Foundation is finding that many marketers view what would seem one of the digital age’s biggest gifts to marketers — the torrent of unsolicited consumer opinion — as more of an added expense item than a blessing.”

And then, a small blog post on Echouser got me thinking: “It’s a concept for what an iPhone app designed to measure experiences (any experiences, from surfing a website to hopping on BART) could look like… Can you imagine if we were able to rate experiences on the fly, all day every day?”

Customers are Talking…

There’s been a lot of talk about the shift of control to the consumer and empowerment. As 2009 drew to a close, I talked about the shape of marketing to come. One of the key foundations I identified was participation — actively engaging in an ongoing conversation with customers. The two posts in my inbox start to get at the potential of this conversation.

In the first post, ARF laments advertisers’ reluctance to tap into ongoing online conversations as a source of customer feedback. Valid point, but I can understand their reluctance. This is unstructured content, making it qualitative, anecdotal and messy. Marketers balk at the heavy lifting required to mine and measure the collective mood. Some tools, such as Collective Intellect, are starting to take on the hard task of migrating online sentiment into a dashboard for marketers. The easier it gets, the more likely it will be for marketers to actually do it. Until then, we’re stuck with consumer surveys and comment cards.

…Anytime, Anywhere…

But it’s the second post that really got me thinking. Always-on connections have already given a voice to consumers, one that’s heard loud and clear. But what if we did indeed have a convenient and commonly structured way to provide feedback on every single interaction in our lives through mobile connections? What if marketers could know in real time what every single customer thought of them, based on the experience he or she just had? Some cringe at the thought. Others are eager for it. The second group will inevitably prevail.

Given the level of investment required on the part of the user, I suspect this channel would only be used in extremely negative and extremely positive circumstances. We don’t tend to take the time to comment on things that come reasonably close to meeting our expectations. But even so, it’s a powerful feedback channel to contemplate, giving the truly user-centric company everything they could ever wish for.

…So Listen!

Last week, I talked about the mother lode of consumer intent that exists in search query logs and how we’ve been slow to leverage it. This week, we have an equally valuable asset rapidly coming down the pipe — a real-time view of our customers’ sentiment.  That’s a one-two punch that could knock the competition out cold.

What I Took Away from the Search Insider Summit

First published December 10, 2009 in Mediapost’s Search Insider

I’ve had a few days now to reflect on what came out of the Search Insider Summit in Park City. It was an interesting perspective: Avinash Kaushik telling us that the majority of search marketing “sucks”; Mark Mahaney prophesizing that search is poised for a big climb in 2010; Rob Griffin warning us the entire industry is going through the throes of change; Chris Copeland showing us that social media is inextricably linked with search activity; and Mike Moran cautioning us that CEOs and CFOs worship at one altar and one altar only: profit. If we want to sell search, we have to speak that language.

Adding to this, I climbed on my usual soapbox, arguing that we spend too much time with data and too little time with our customers. In the panel exploring how to balance qualitative and quantitative approaches, the panelists were asked how they differentiated the two. For me, the answer is this: Quantitative is watching the dashboard while you drive. Qualitative is looking out the windshield.

SEM’s Call to Arms

So, when you mash this up over 3 days and distill the essence, what do you end up with? I think SEMs heard a distinct call to “up their game” last week in Park City. Sure, there are tough problems to tackle. Marketers are demanding more from their budgets than ever before. As Avinash said, attribution causes many marketers to “cry like little girls.” Determining user intent and matching it in our ads is tough. Matching it on the landing page and beyond is even tougher. Trying to wrap our heads around the shifting tide of social media gives us all a migraine. And if our jobs weren’t tough enough, Google just gave SEO a slap upside the head last week with personalization of all search results. Thank God the bar was open after the sessions wrapped up.

But we search marketers are a resilient bunch. The people roaming the hallways of the Chateaux at Silver Lake didn’t look morose. In fact, they were almost giddily optimistic. There was a sense that as rough as the ride was in this boat we all chose to set sail in, at least it was heading in the right direction. Rob Griffin put it this way: “If you’re any good, you might not have the same job title or be doing the same thing in a few years, but you’ll be employed. That’s more than a lot of other people will be able to say.”

I’m Not Sure Where We’re Going, but Follow Me!

I look at it this way. The market has already shifted. And where the market goes, we marketers have to follow. Somebody has to figure this stuff out. And, as I remarked to someone over drinks after the sessions wound down, I’m constantly amazed by the number of people in marketing who have impressive titles on their business cards but simply don’t get the magnitude of the behavioral shift we’re in the middle of. Avinash is right. A lot of what I see in the digital marketing landscape “sucks.” We have to get better. We have to get smarter. We have to do a better job of listening to the people we’re trying to market to.

I know we will get better. Really, do we have a choice? And the advantage search marketers have is that we have chosen to work in the one area of online that has been an unqualified success. Everyone is looking to us as an example of digital marketing done right. And we’re looking at each other saying, “Okay, that worked. Now, what’s next?”