What the Hell is “Time Spent” with Advertising Anyway?

Over at MediaPost’s Research Intelligencer, Joe Mandese is running a series of columns that are digging into a couple of questions:

  • How much time are consumers spending with advertising; and,
  • How much is that time worth.

The quick answers are 1.84 hours daily and about $3.40 per hour.

Although Joe readily admits that these are ‘back of the envelope” calculations, regular Mediapost reader and commentator Ed Papazian points out a gaping hole in the logic of these questions: an hour of being exposed to ads does not equal an hour spent with those ads and it certainly doesn’t mean an hour being aware of the ads.

Ignoring this fundamental glitch is symptomatic of the conceit of the advertising business in general. They believe there is a value exchange possible where paying consumers to watch advertising is related to the effectiveness of that advertising. The oversimplification required to rationalize this exchange is staggering. It essentially ignores the fields of cognitive psychology and neuroscience. It assumes that audience attention is a simple door that can be opened if only the price is right.

It just isn’t that simple.

Let’s go back to the concept of time spent with media. There are many studies done that quantify this. But the simple truth is that media is too big a catchall category to make this quantification meaningful. We’re not even attempting to compare apples and oranges. We’re comparing an apple, a jigsaw and a meteor. The cognitive variations alone in how we consume media are immense.

And while I’m on a rant, let’s nuke the term “consumption” all together, shall we? It’s probably the most misleading word ever coined to define our relationship with media. We don’t consume media any more than we consume our physical environment. It is an informational context within which we function. We interact with aspects of it with varying degrees of intention. Trying to measure all these interactions with a single yardstick is the same as trying to measure our physical interactions with water, oxygen, gravity and an apple tree by the same criterion.

Even trying to dig into this question has a major methodological flaw – we almost never think about advertising. It is usually forced on our consciousness. So to use a research tools like a survey – requiring respondents to actively consider their response – to explore our subconscious relationship with advertising is like using a banana to drive a nail. It’s the wrong tool for the job. It’s the same as me asking you how much you would pay per hour to have access to gravity.

This current fervor all comes from a prediction from Publicis Groupe Chief Growth Officer Rishad Tobaccowala that the supply of consumer attention would erode by 20% to 30% in the next five years. Tobaccowala – by putting a number to attention – led to the mistaken belief that it’s something that could be managed by the industry. The attention of your audience isn’t slipping away because advertising and media buying was mismanaged. It’s slipping away because your audience now has choices, and some of those choices don’t include advertising. Let’s just admit the obvious. People don’t want advertising. We only put up with advertising when we have no choice.

“But wait,” the ad industry is quick to protest, “In surveys people say they are willing to have ads in return for free access to media. In fact, almost 80% of respondents in a recent survey said that they prefer the ad-supported model!”

Again, we have the methodological fly in the ointment. We’re asking people to stop and think about something they never stop and think about. You’re not going to get the right answer. A better answer would be to think about what happens when you get the pop up when you go to a news site with your ad-blocker on. “Hey,” it says, “We notice you’re using an ad-blocker.” If you have the option of turning the ad-blocker off to see the article or just clicking a link that let’s you see it anyway, which are you going to choose? That’s what I thought. And you’re probably in the ad business. It pays your mortgage.

Look, I get that the ad business is in crisis. And I also understand why the industry is motivated to find an answer. But the complexity of the issue in front of us is staggering and no one is served well by oversimplifying it down to putting a price tag on our attention. We have to understand that we’re in an industry where – given the choice – people would rather not have anything to do with us. Unless we do that, we’ll just be making the same mistakes over and over again.

 

 

The Rain in Spain

Olá! Greetings from the soggy Iberian Peninsula. I’ve been in Spain and Portugal for the last three weeks, which has included – count them – 21 days of rain and gale force winds. Weather aside, it’s been amazing. I have spent very little of that time thinking about online media. But, for what they’re worth, here are some random observations from the last three weeks:

The Importance of Familiarity

While here, I’ve been reading Derek Thompson’s book Hitmakers. One of the critical components of a hit is a foundation of familiarity. Once this is in place, a hit provides just enough novelty to tantalize us. It’s why Hollywood studios seem stuck on the superhero sequel cycle.

This was driven home to me as I travelled. I’m a do-it-yourself traveller. I avoid packaged vacations whenever and wherever possible. But there is a price to be paid for this. Every time we buy groceries, take a drive, catch a train, fill up with gas or drive through a tollbooth (especially in Portugal) there is a never-ending series of puzzles to be solved. The fact that I know no Portuguese and very little Spanish makes this even more challenging. I’m always up for a good challenge, but I have to tell you, at the end of three weeks, I’m mentally exhausted. I’ve had more than enough novelty and I’m craving some more familiarity.

This has made me rethink the entire concept of familiarity. Our grooves make us comfortable. They’re the foundations that make us secure enough to explore. It’s no coincidence that the words “family” and “familiar” come from the same etymological root.

The Opposite of Agile Development

seville-catheral-altarWhile in Seville, we visited the cathedral there. The main altarpiece, which is the largest and one of the finest in the world, was the life’s work of one man, Pierre Dancart. He worked on it for 44 years of his life and never saw the finished product. In total, it took over 80 years to complete.

Think about that for a moment. This man worked on this one piece of art for his entire life. There was no morning where he woke up and wondered, “Hmm, what am I going to do today?” This was it, from the time he was barely more than a teenager until he was an old man. And he still never got to see the completed work. That span of time is amazing to me. If built and finished today, it would have been started in 1936.

The Ubiquitous Screen

I love my smartphone. It has saved my ass more than once on this trip. But I was saddened to see that our preoccupation with being connected has spread into every nook and cranny of European culture. Last night, we went for dinner at a lovely little tapas bar in Lisbon. It was achingly romantic. There was a young German couple next to us who may or may not have been in love. It was difficult to tell, because they spent most of the evening staring at their phones rather than at each other.

I have realized that the word “screen” has many meanings, one of which is a “barrier meant to hide things or divide us.”

El Gordo

Finally, after giving my name in a few places and getting mysterious grins in return, I have realized that “gordo” means “fat” in Spanish and Portuguese.

Make of that what you will.

Why Do Cities Work?

It always amazes me how cities just seem to work. Take New York – for example. How the hell does everything a city of nine million needs to continue to exist happen? Cities are perhaps the best example I can think of how complex adaptive systems can work in the real world. They may be the answer to our future as the world becomes a more complex and connected place.

It’s not due to any centralized sense of communal collaboration. If anything, cities make us more individualistic. Small towns are much more collaborative. I feel more anonymous and autonomous in a big city than I ever do in a small town. It’s something else, more akin to Adam Smith’s Invisible Hand – but different. Millions of individual agents can all do their own thing based on their own requirements, but it works out okay for all involved.

Actually, according to Harvard economist Ed Glaeser, cities are more than just okay. He calls them mankind’s greatest invention. “So much of what humankind has achieved over the past three millennia has come out of the remarkable collaborative creations that come out of cities. We are a social species. We come out of the womb with the ability to sop up information from people around us. It’s almost our defining characteristic as creatures. And cities play to that strength. Cities enable us to learn from other people.”

Somehow, cities manage to harness the collective potential of their population without dipping into chaos. This is all the more amazing when you consider that cities aren’t natural for humans – at least – not in evolutionary terms. If you considered just that, we should all live in clusters of 150 people – otherwise known as Dunbar’s number. That’s the brain’s cognitive limit for keeping track of our own immediate social networks. It we’re looking for a magic number in terms of maximizing human cooperation and collaboration that would be it. But somehow cities allow us to far surpass that number and still deliver exponential returns.

Most of our natural defense mechanisms are based on familiarity. Trust, in it’s most basic sense, is Pavlovian. We trust strangers who happen to resemble people we know and trust. We are wary of strangers that remind us of people who have taken advantage of us. We are primed to trust or distrust in a few milliseconds, far under the time threshold of rational thought. Humans evolved to live in communities where we keep seeing the same faces over and over – yet cities are the antithesis of this.

Cities work because it’s in everyone’s best interest to make cities work. In a city, people may not trust each other, but they do trust the system. And it’s that system – or rather – thousands of complementary systems, that makes cities work. We contribute to these systems because we have a stake in them. The majority of us avoid the Tragedy of the Commons because we understand that if we screw the system, the system becomes unsustainable and we all lose. There is an “invisible network of trust” that makes cities work.

The psychology of this trust is interesting. As I mentioned before, in evolutionary terms, the mechanisms that trigger trust are fairly rudimentary: Familiarity = Trust. But system trust is a different beast. It relies on social norms and morals – on our inherent need to conform to the will of the herd. In this case, there is at least one degree of separation between trust and the instincts that govern our behaviors. Think of it as a type of “meta-trust.” We are morally obligated to contribute to the system as long as we believe the system will increase our own personal well-being.

This moral obligation requires feedback. There needs to be some type of loop that shows our that our moral behaviors are paying off for us. As long as that loop is working, it creates a virtuous cycle. Moral behaviors need to lead to easily recognized rewards, both individually and collectively. As long as we have this loop, we will continue to be governed by social norms that maintain the systems of a city.

When we look to cities to provide us clues on how to maintain stability in a more connected world, we need to understand this concept of feedback. Cities provide feedback through physical proximity. When cities start to break down, the results become obvious to all who live there. But when it’s digital bonds rather than physical ones that link our networks, feedback becomes trickier. We need to ponder other ways of connecting cause, effect and consequences. As we move from physical communities to ideological ones, we have to overcome the numbing effects of distance.

 

Short Sightedness, Sharks and Mental Myopia

2017 was an average year for shark attacks.

And this just in…

By the year 2050 half of the World will be Near Sighted.

What could these two headlines possibly have in common? Well, sit back – I’ll tell you.

First, let’s look at why 2017 was a decidedly non-eventful year – at least when it came to interactions between Selachimorpha (sharks) and Homo (us). Nothing unusual happened. That’s it. There was no sudden spike in Jaws-like incidents. Sharks didn’t suddenly disappear from the world’s oceans. Everything was just – average. Was it the only way that 2017 was uneventful? No. There were others. But we didn’t notice because we were focused on the ways that the world seemed to be going to hell in a handbasket. If we look at 2017 like a bell curve, we were focused on the outliers, not the middle.

There’s no shame in that. That’s what we do. The usual doesn’t make the nightly news. It doesn’t even make our Facebook feed. But here’s the thing..we live most of our live in the middle of the curve, not in the outlier extremes. The things that are most relevant to our lives falls squarely into the usual. But all the communication channels that have been built to channel information to us are focused on the unusual. And that’s because we insist not on being informed, but instead on being amused.

In 1985, Neil Postman wrote the book Amusing Ourselves to Death. In it, he charts how the introduction of electronic media – especially television – hastened our decline into a dystopian existence that shared more than a few parallels with Aldous Huxley’s Brave New World. His warning was pointed, to say the least, “ There are two ways by which the spirit of a culture may be shrivelled,” Postman says. “In the first—the Orwellian—culture becomes a prison. In the second—the Huxleyan—culture becomes a burlesque.” It’s probably worth reminding ourselves of what burlesque means, “a literary or dramatic work that seeks to ridicule by means of grotesque exaggeration or comic imitation.” If the transformation of our culture into burlesque seemed apparent in the 80’s, you’d pretty much have to say it’s a fait accompli 35 years later. Grotesque exaggeration is the new normal., not to mention the new president.

But this steering of our numbed senses towards the extremes has some consequences. As the world becomes more extreme, it requires more extreme events to catch our notice. We are spending more and more of our media consumption time amongst the outliers. And that brings up the second problem.

Extremes – by their nature – tend to be ideologically polarized as well. If we’re going to consider extremes that carry a politically charged message, we stick to the extremes that are well synced with our worldview. In cognitive terms, these ideas are “fluent” – they’re easier to process. The more polarized and extreme a message is, the more important it is that it be fluent for us. We also are more likely to filter out non-fluent messages – messages that we don’t happen to agree with.

The third problem is that we are becoming short-sighted (see, I told you I’d get there, eventually). So not only do we look for extremes, we are increasingly seeking out the trivial. We do so because being informed is increasingly scaring the bejeezus out of us. We don’t look too deep nor do we look too far in the future – because the future is scary. There is the collapse of our climate, World War III with North Korea, four more years of Trump…this stuff is terrifying. Increasingly we spend our cognitive resources looking things that are amusing and immediate. The information we seek has to provide immediate gratification. Yes, we are becoming physically short-sighted because we stare at screens too much, but we’re also becoming mentally myopic as well.

If all this is disturbing, don’t worry. Just grab a Soma and enjoy a Feelie.

Drawing a Line in the Sand for Net Privacy

Ever heard of Strava? The likelihood that you would say yes jumped astronomically on January 27, 2018. That was the day of the Strava security breach. Before that, you had probably never heard of it, unless you happened to be a cyclist or runner.

I’ve talked about Strava before. Then, I was talking about social modality and trying to keep our various selves straight on various social networks. Today, I’m talking about privacy.

Through GPS enabled devices, like a fitness tracker or smartphone, Strava enables you to track your workouts, include the routes you take. Once a year, they aggregate all these activities and publish it as a global heatmap. Over 1 billion workouts are mapped in every corner of the earth. If you zoom in enough, you’ll see my favorite cycling routes in the city I live in. The same is true for everyone who uses the app. Unless – of course – you’ve opted out of the public display of your workouts.

And therein lies the problem. Actually – two problems.

First, problem number one. There is really no reason I shouldn’t share my workouts. The worst you could find out is that I’m a creature of habit when working out. But if I’m a marine stationed at a secret military base in Afghanistan and I start my morning jogging around the perimeter of the base – well – now we have a problem. I just inadvertently highlighted my base on the map for the world to see. And that’s exactly what happened. When the heatmap went live, a university student in Australia happened to notice there were a number of hotspots in the middle of nowhere in Afghanistan and Syria.

On the problem number two. In terms of numbers affected, the Strava breach is a drop in the bucket when you compare it to Yahoo – or Equifax – or Target – or any of the other breaches that have made the news. But this breach was different in a very important way. The victims here weren’t individual consumers. This time national security was threatened. And that moved it beyond the typical “consumer beware” defense that typically gets invoked.

This charts new territory for privacy. The difference in perspective in this breach has heightened sensitivities and moved the conversation in a new direction. Typically, the response when there is a breach is:

  1. You should have known better
  2. You should have taken steps to protect your information; or,
  3. Hmmm, it sucks to be you

Somehow, this response has held up in the previous breaches despite the fact that we all know that it’s almost impossible to navigate the minefield of settings and preferences that lies between you and foolproof privacy. As long as the victims were individuals it was easy to shift blame. This time, however, the victim was the collective “we” and the topic was the hot button of all hot buttons – national security.

Now, one could and should argue that all of these might apply to the unfortunate soldier that decided to take his Fitbit on his run, but I don’t think it will end there. I think the current “opt out” approach to net privacy might have to be considered. The fact is, all these platforms would prefer to gather and have the right to use as they see fit as much of your data as possible. It opens up a number of monetization opportunities for them. Typically, the quid pro quo that is offered back to you – the user – is more functionality and the ability to share to your own social circle. The current ecosystems default starting point is to enable as much sharing and functionality as possible. Humans being human, we will usually go with the easiest option – the default – and only worry about it if something goes wrong.

But as users, we do have the right to push back. We have to realize that opening the full data pipe gives the platforms much more value than we ever receive in return. We’re selling off our own personal data for the modern day equivalent of beads and trinkets. And the traditional corporate response – “you can always opt out if you want” – is simply taking advantage of our own human limitations. The current fallback is that they’re introducing more transparency into their own approaches to privacy, making it easier to understand. While this is a step in the right direction, a more ethical approach would be to take an “opt in” approach, where the default is the maximum protection of our privacy and we have to make a conscious effort to lower that wall.

We’ll see. Opting in puts ethics and profitability on a collision course. For that reason, I can’t ever see the platforms going in that direction unless we insist.

 

 

Thinking Beyond the Brand

Apparently boring is the new gold standard of branding, at least when it comes to ranking countries on the international stage. According to a new report from US News, the Wharton School and Y&R’s BAV Group, Canada is the No. 2 country in the world. That’s right – Canada – the country that Robin Williams called “a really nice apartment over a meth lab.”

The methodology here is interesting. It was basically a brand benchmarking study. That’s what BAV does. They’re the “world’s largest and leading empirical study of brands” And Canada’s brand is: safe, slightly left leaning, polite, predictable and – yes – boring. Oh – and we have lakes and mountains.

Who, you may ask, beat us? Switzerland – a country that is safe, slightly left leading, polite, predictable and – yes – boring. Oh – and they have lakes and mountains too.

This study has managed to reduce entire countries to a type of cognitive short hand we call a brand. As a Canadian, I can tell you this country contains multitudes – some good, some bad – and remarkably little of it is boring. We’re like an iceberg (literally, in some months) – there’s a lot that lies under the surface. But as far as the world cares, you already know everything you need to know about Canada and no further learning is required.

That’s the problem with branding. We rely more and more on whatever brand perceptions we already have in place without thinking too much about whether they’re based on valid knowledge. We certainly don’t go out of our way to challenge those perceptions. What was originally intended to sell dish soap is being used as a cognitive short cut for everything we do. We rely on branding – instant know-ability – or what I called labelability in a previous column. We spend more and more of our time knowing and less and less of it learning.

Branding is a mental rot that is reducing everything to a broadly sketched caricature.

Take politics for example. That same BAV group turned their branding spotlight on candidates for the next presidential election. Y&R CEO David Sable explored just how important branding will be in 2020. Spoiler alert: it will be huge.

When BAV looked at the brands of various candidates, Trump continues to dominate. This was true in 2016, and depending on the variables of fate currently in play, it could be true in 2020 as well. “We showed how fresh and powerful President Trump was as a brand, and just how tired and weak Hillary was… despite having more esteem and stature.”

Sable prefaced his exploration with this warning: “What follows is not a political screed, endorsement or advocacy of any sort. It is more a questioning of ourselves, with some data thrown to add to the interrogative.” In other words, he’s saying that this is not really based on any type of rational foundation; it’s simply evaluating what people believe. And I find that particular mental decoupling to be troubling.

This idea of cognitive shorthand is increasingly prevalent in an attention deficit world. Everything is being reduced to a brand. The problem with this is that once that brand has been “branded” it’s very difficult to shake. Our world is being boiled down to branding and target marketing. Our brains have effectively become pigeon holed. That’s why Trump was right when he said, “I could stand in the middle of Fifth Avenue and shoot somebody and I wouldn’t lose any voters”

We have a dangerous spiral developing. In a world with an escalating amount of information, we increasingly rely on brands/beliefs for our rationalization of the world. When we do expose ourselves to information, we rely on information that reinforces those brands and beliefs. Barack Obama identified this in a recent interview with David Letterman: “One of the biggest challenges we have to our democracy is the degree to which we don’t share a common baseline of facts. We are operating in completely different information universes. If you watch Fox News, you are living on a different planet than you are if you listen to NPR.”

Our information sources have to be “on-brand”. And those sources are filtered by algorithms shaped by our current beliefs. As our bubble solidifies, there is nary a crack left for a fresh perspective to sneak in.

 

The Decentralization of Trust

Forget Bitcoin. It’s a symptom. Forget even Blockchain. It’s big – but it’s technology. That makes it a tool. Which means it’s used at our will. And that will is the real story. Our will is always the real story – why do we build the tools we do? What is revolutionary is that we’ve finally found a way to decentralize trust. That runs against the very nature of how we’ve defined trust for centuries.

And that’s the big deal.

Trust began by being very intimate – ruled by our instincts in a face-to-face context. But for the last thousand years, our history has been all about concentration and the mass of everything – including whom we trust. We have consolidated our defense, our government, our commerce and our culture. In doing so, we have also consolidated our trust in a few all-powerful institutions.

But the past 20 years have been all about decentralization and tearing down power structures, as we invent new technologies to let us do that. In that vien, Blockchain is a doozy. It will change everything. But it’s only a big deal because we’re exerting our will to make it a big deal. And the “why” behind that is what I’m focusing on.

For right or wrong, we have now decided we’d rather trust distribution than centralization. There is much evidence to support that view. Concentration of power also means concentration of risk. The opportunity for corruption skyrockets. Big things tend to rot from the inside out. This is not a new discovery on our part. We’ve known for at least a few centuries that “absolute power corrupts absolutely.”

As the world consolidated it also became more corrupt. But it was always a trade off we felt we had to make. Again, the collective will of the people is the story thread to follow here. Consolidation brought many benefits. We wouldn’t be where we are today if it wasn’t for hierarchies, in one form or another. So we willing subjugated ourselves to someone – somewhere – hoping to maintain a delicate balance where the risk of corruption was outweighed by a personal gain. I remember asking the Atlantic’s noted correspondent, James Fallows, a question when I met him once in China. I asked how the average Chinese citizen could tolerate the paradoxical mix of rampant economical entrepreneurialism and crushing ideological totalitarianism. His answer was, “As long as their lives are better today than they were yesterday, and promise to be even better tomorrow, they’ll tolerate it.”

That pretty much summarizes our attitudes towards control. We tolerated it because if we wanted our lives to continue to improve, we really didn’t have a choice. But perhaps we do now. And that possibility has pushed our collective will away from consolidated power hubs and towards decentralized networks. Blockchain gives us another way to do that. It promises a way to work around Big Money, Big Banks, Big Government and Big Business. We are eager to do so. Why? Because up to now we have had to place our trust in these centralized institutions and that trust has been consistently abused. But perhaps Blockchain technology has found a way to distribute trust in a foolproof way. It appears to offer a way to make everything better without the historic tradeoff of subjugating ourselves to anyone.

However, when we move our trust to a network we also make that trust subject to unanticipated network effects. That may be the new trade-off we have to make. Increasingly, our technology is dependent on networks, which – by their nature – are complex adaptive systems. That’s why I keep preaching the same message – we have to understand complexity. We must accept that complexity has interaction affects we could never successfully predict.

It’s an interesting swap to consider – control for complexity. Control has always offered us the faint comfort of an illusion of predictability. We hoped that someone who knew more than we did was manning the controls. This is new territory for us. Will it be better? Who can say? But we seem to building an irreversible head of steam in that direction.

Fat Heads and Long Tails: Living in a Viral World

I, and the rest of the world, bought “Fire and Fury: Inside the Trump White House” last Friday. Forbes reports that in one weekend, it has climbed to the top of the Amazon booklist, and demand for the book is “unprecedented.”

We use that word a lot now. Our world seems to be a launching pad for “unprecedented” events. Nassim Nicholas Taleb’s black swans used to be the exception — that was the definition of  the term. Now they’re becoming the norm. You can’t walk down the street without accidentally kicking one.

Our world is a hyper-connected feedback loop that constantly engenders the “unprecedented”: storms, blockbusters, presidents. In this world, historical balance has disappeared and all bets are off.

One of the many things that has changed is the distribution pattern of culture. In 2006, Chris Anderson wrote the book “The Long Tail,” explaining how online merchandising, digital distribution and improved fulfillment logistics created an explosion of choices. Suddenly, the distribution curve of pretty much everything  — music, books, apps, video, varieties of cheese — grew longer and longer, creating Anderson’s “Long Tail.”

But let’s flip the curve and look at the other end. The curve has not just grown longer. The leading edge of it has also grown on the other axis. Heads are now fatter.

“Fire and Fury” has sold more copies in a shorter period of time than would have ever been possible at any other time in history. That’s partly because of the  same factors that created the Long Tail: digital fulfillment and more efficient distribution. But the biggest factor is that our culture is now a digitally connected echo chamber that creates the perfect conditions for virality. Feeding frenzies are now an essential element of our content marketing strategies.

If ever there was a book written to go viral, it’s “Fire and Fury.” Every page should have a share button. Not surprisingly, given its subject matter,  the book has all the subtlety and nuance of a brick to the head. This is a book built to be a blockbuster.

And that’s the thing about the new normal of virality: Blockbusters become the expectation out of the starting gate.

As I said last week, content producers have every intention of addicting their audience, shooting for binge consumption of each new offering. Wolff wrote this book  to be consumed in one sitting.

As futurist (or “futuristorian”) Brad Berens writes, the book is “fascinating in an I-can’t-look-away-at-the-17-car-pileup-with-lots-of-ambulances way.” But there’s usually a price to be paid for going down the sensational path. “Fire and Fury” has all the staying power of a “bag of Cheetos.” Again, Berens hits the nail on the head: “You can measure the relevance of Wolff’s book in half-lives, with each half-life being about a day.”

One of the uncanny things about Donald Trump is that he always out-sensationalizes any attempt to sensationalize him. He is the ultimate “viral” leader, intentionally — or not — the master of the “Fat Head.” Today that head is dedicated to Wolff’s book. Tomorrow, Trump will do something to knock it out of the spotlight.

Social media analytics developer Tom Maiaroto found the average sharing lifespan of viral content is about a day. So while the Fat Head may indeed be Fat, it’s also extremely short-lived. This means that, increasingly, content intended to go viral  — whether it be books, TV shows or movies — is intentionally developed to hit this short but critical window.

So what is the psychology behind virality? What buttons have to be pushed to start the viral cascade?

Wharton Marketing Professor Jonah Berger, who researched what makes things go viral, identified six principles: Social Currency, Memory Triggers, Emotion, Social Proof, Practical Value and Stories. “Fire and Fury” checks almost all these boxes, with the possible exception of practical value.

But it most strongly resonates with social currency, social proof and emotion. For everyone who thinks Trump is a disaster of unprecedented proportions, this book acts as kind of an ideological statement, a social positioner, an emotional rant and confirmation bias all rolled into one. It is a tribal badge in print form.

When we look at the diffusion of content through the market, technology has again acted as a polarizing factor. New releases are pushed toward the outlier extremes, either far down the Long Tail or squarely aimed at cashing in on the Fat Head. And if it’s the latter of these, then going viral becomes critical.

Expect more fire. Expect more fury.

Watching TV Through The Overton Window

Tell me, does anyone else have a problem with this recent statement by HBO CEO Richard Plepler: “I am trying to build addicts — and I want people addicted to something every week”?

I read this in a MediaPost column about a month ago. At the time, I filed it away as something vaguely troubling. I just checked and found no one else had commented on it. Nothing. We all collectively yawned as we checked out the next series to binge watch. That’s just what we do now.

When did enabling addiction become a goal worth shooting for? What made the head of a major entertainment corporation think it was OK to use a term that is defined as “persistent, compulsive use of a substance known to the user to be harmful” to describe a strategic aspiration? And, most troubling of all, when did we all collectively decide that that was OK?

Am I overreacting? Is bulk consuming an entire season’s worth of “Game of Thrones” or “Big Little Lies” over a 48-hour period harmless?

Speaking personally, when I emerge from my big-screen basement cave after watching more than two episodes of anything in a row, I feel like crap. And there’s growing evidence that I’m not alone. I truly believe this is not a healthy direction for us.

But my point here is not to debate the pros and cons of binge watching. My point is that Plepler’s statement didn’t cause any type of adverse reaction. We just accepted it. And that may because of something called the Overton Window.

The Overton Window was named after Joseph Overton, who developed the concept at a libertarian think tank  — the Mackinac Center for Public Policy — in the mid-1990s.

Typically, the term is used to talk about the range of policies acceptable to the public in the world of politics. In the middle of the window lies current policy. Moving out from the center in both directions (right and left) are the degrees of diminishing acceptability. In order, these are: Popular, Sensible, Acceptable, Radical and Unthinkable.

Overton_Window_diagram.svgThe window can move, with ideas that were once unthinkable eventually becoming acceptable or even popular due to the shifting threshold of public acceptance. The concept, which has roots going back over 150 years, has again bubbled to the top of our consciousness thanks to Trumpian politics, which make “extreme things look normal,” according to a post on Vox.

Political strategists have embraced and leveraged the concept to try to bring their own agendas within the ever-moving window. Because here’s the interesting thing about the Overton Window: If you want to move it substantially, the fastest way to do it is to float something outrageous to the public and ask them to consider it. Once you’ve set a frame of consideration towards the outliers, it tends to move the window substantially in that direction, bringing everything less extreme suddenly within the bounds of the window.

This has turned The Overton Window into a political strategic tug of war, with the right and left battling to shift the window by increasingly moving to the extremes.

What’s most intriguing about the Overton Window is how it reinforces the idea that much of our social sensibility is relative rather than absolute. Our worldview is shaped not only by what we believe, but what we believe others will find acceptable. Our perspective is constantly being framed relative to societal norms.

Perhaps — just perhaps — the CEO of HBO can now use the word “addict” when talking about entertainment because our perspective has been shifted toward an outlying idea that compulsive consumption is OK, or even desirable.

But I have to call bullshit on that. I don’t believe it’s OK. It’s not something we as an industry — whether that industry is marketing or entertainment — should be endorsing. It’s not ennobling us; it’s enabling us.

There’s a reason why the word “addict” has a negative connotation. If our “window” of acceptability has shifted to the point where we just blithely accept these types of statements and move on, perhaps it’s time to shift the window in the opposite direction.

Why Reality is in Deep Trouble

If 2017 was the year of Fake News, 2018 could well be the year of Fake Reality.

You Can’t Believe Your Eyes

I just saw Star Wars: The Last Jedi. When Carrie Fisher came on screen, I had to ask myself: Is this really her or is that CGI? I couldn’t remember if she had the chance to do all her scenes before her tragic passing last year. When I had a chance to check, I found that it was actually her. But the very fact that I had to ask the question is telling. After all, Star Wars Rogue One did resurrect Peter Cushing via CGI and he passed away 14 years ago.

CGI is not quite to the point where you can’t tell the difference between reality and computer generation, but it’s only a hair’s breadth away. It’s definitely to the point where you can no longer trust your eyes. And that has some interesting implications.

You Can Now Put Words in Anyone’s Mouth

The Rogue One Visual Effects head, John Knoll, had to fend off some pointed questions about the ethics of bringing a dead actor back to life. He defended the move by saying “We didn’t do anything Peter Cushing would have objected to. Whether you agree or not, the bigger question here is that they could have. They could have made the Cushing digital doppelganger do anything – and say anything – they wanted.

But It’s Not just Hollywood That Can Warp Reality

If fake reality comes out of Hollywood, we are prepared to cut it some slack. There is a long and slippery ethical slope that defines the entertainment landscape. In Rogue One’s case, it wasn’t using CGI, or even using CGI to represent a human. That includes a huge slice of today’s entertainment. It was using CGI to resurrect a dead actor and literally putting words in his mouth. That seemed to cross some ethical line in our perception of what’s real. But at the end of the day, this questionable warping of reality was still embedded in a fictional context.

But what if we could put words in the manufactured mouth of a sitting US president? That’s exactly what a team at Washington University did with Barack Obama, using Stanford’s Face2Face technology. They used a neural network to essentially create a lip sync video of Obama, with the computer manipulating images of his face to lip sync it to a sample of audio from another speech.

Being academics, they kept everything squeaky clean on the ethical front. All the words were Obama’s – it’s just that they were said at two different times. But those less scrupulous could easily synthesize Obama’s voice – or anyone’s – and sync it to video of them talking that would be indistinguishable from reality.

Why We Usually Believe Our Eyes

When it comes to a transmitted representation of reality, we accept video as the gold standard. Our brains believe what we see to be real. Of all our five senses, we trust sight the most to interpret what is real and what is fake. Photos used to be accepted as incontrovertible proof of reality, until Photoshop messed that up. Now, it’s video’s turn. Technology has handed us the tools that enable us to manufacture any reality we wish and distribute it in the form of video. And because it’s in that form, most everyone will believe it to be true.

Reality, Inc.

The concept of a universally understood and verifiable reality is important. It creates some type of provable common ground. We have always had our own ways of interpreting reality, but at the end of the day, the was typically some one and some way to empirically determine what was real, if we just bothered to look for it.

But we now run the risk of accepting manufactured reality as “good enough” for our purposes. In the past few years, we’ve discovered just how dangerous filtered reality can be. Whether we like it or not, Facebook, Google, YouTube and other mega-platforms are now responsible for how most of us interpret our world. These are for-profit organizations that really have no ethical obligation to attempt to provide a reasonable facsimile of reality. They have already outstripped the restraints of legislation and any type of ethical oversight. Now, these same platforms can be used to distribute media that are specifically designed to falsify reality. Of course, I should also mention that in return for access to all this, we give up a startling amount of information about ourselves. And that, according to UBC professor Taylor Owen, is deeply troubling:

“It means thinking very differently about the bargain that platforms are offering us. For a decade the deal has been that users get free services, and platforms get virtually unlimited collection of data about all aspects of our life and the ability to shape of the information we consume. The answer isn’t to disengage, as these tools are embedded in our society, but instead to think critically about this bargain.

“For example, is it worth having Facebook on your mobile phone in exchange for the immense tracking data about your digital and offline behaviour? Or is the free children’s content available on YouTube worth the data profile that is being built about your toddler, the horrific content that gets algorithmically placed into your child’s feed, and the ways in which A.I. are creating content for them and shaping what they view? Is the Amazon smart speaker in your living room worth providing Amazon access to everything you say in your home? For me, the answer is a resounding ‘no’.”

2018 could be an interesting year…