AI, Creativity and the Last Beatle’s Song

I have never been accused of being a Luddite. Typically, I’m on the other end of the adoption curve – one of the first to adopt a new technology. But when it comes to AI, I am stepping forward gingerly.

Now, my hesitancy notwithstanding, AI is here to stay. In my world, it is well past the tipping point from a thing that exists solely in the domain to tech to a topic of conversation for everyone, from butchers to bakers to candlestick makers. Everywhere I turn now I see those ubiquitous two letters – AI. That was especially true in the last week, with the turmoil around Sam Altman and the “is he fired/isn’t he” drama at OpenAI.

In 1991 Geoffery Moore wrote the book Crossing the Chasm, looking at how technologies are adopted. He explained that it depends on the nature of the technology itself. If it’s a continuation of technology we understand, the adoption follows a fairly straight-forward bell curve through the general population.

But if it’s a disruptive technology – one that we’re not familiar with – then adoption plots itself out on an S-Curve. The tipping point in the middle of that curve where it switches from being skinny to being fat is what he called the “chasm.” Some technologies get stuck on the wrong side of the chasm, never to be adopted by the majority of the market.  Think Google Glass, for example.

There is often a pattern to the adoption of disruptive technologies (and AI definitely fits this description).  To begin with, we find a way to adapt it and use it for the things we’re already doing. But somewhere along the line, innovators grasp the full potential of the technology and apply it in completely new ways, pushing capabilities forward exponentially. And it’s in that push forward where all the societal disruption occurs. Suddenly, all the unintended consequences make themselves known.

This is exactly where we seem to be with AI. Most of us are using it to tweak the things we’ve always done. But the prescient amongst us are starting to look at what might be, and for many of us, we’re doing so with a furrowed brow. We’re worried, and, I suspect, with good reason.

As one example, I’ve been thinking about AI and creativity. As someone who has always dabbled in creative design, media production and writing, this has been top of mind for me. I have often tried to pry open the mystic box that is the creative process.

There are many, creative software developers foremost amongst them, that will tell you that AI will be a game changer when it comes to creating – well – just about anything.

Or, in the case of the last Beatle single to be released, recreating anything. Now and Then, the final Beatles song featuring the Fab Four, was made possible by an AI program created by Peter Jackson’s team for the documentary Get Back. It allowed Paul McCartney, Ringo Starr and their team of producers (headed by George Martin’s son Giles) to separate John Lennon’s vocals from the piano background on a demo tape from 1978.

One last Beatle’s song featuring John Lennon – that should be a good thing – right?  I guess. But there’s a flip side to this.

Let’s take writing, for example. Ask anyone who has written something longer than a tweet or Instagram post. What you start out intending to write is never what you end up with. Somehow, the process of writing takes its own twists and turns, usually surprising even the writer. Even these posts, which average only 700 to 800 words, usually end up going in unexpected directions by the time I place the final period.

Creativity is an iterative process and there are stages in that process. It takes time for it all to  play out. No matter how good my initial idea is, if I simply fed it in an AI black box and hit the “create” button, I don’t know if the outcome would be something I would be happy with.

“But,” you protest, “what about AI taking the drudgery out of the creative process? What if you use it to clean up a photo, or remove background noise from an audio recording (a la the Beatles single). That should free up more time and more options for you to be creative, right?”

That’s promise is certainly what’s being pitched by AI merchants right now. And it makes sense. But it only makes sense at the skinny end of the adoption curve. That’s where we’re at right now, using AI as a new tool to do old jobs. If we think that’s where we’re going to stay, I’m pretty sure we’re being naïve.

I believe creativity needs some sweat. It benefits from a timeline that allows for thinking, and rethinking, over and over again. I don’t believe creativity comes from instant gratification, which is what AI gives us. It comes from iteration that creates the spaces needed for inspiration.

Now, I may be wrong. Perhaps AI’s ability to instantly produce hundreds of variation of an idea will prove the proponents right. It may unleash more creativity than ever. But I still believe we will lose an essential human element in the process that is critical to the act of creation.

Time will tell. And I suspect it won’t take very long.

(Image – The Beatles in WPAP – wendhahai)

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